Chopin NW Competition Location:
Saturday, February 14, 2026, 9 AM–6 PM
Mercer Island Presbyterian Church
3605 84th Ave. SE
Mercer Island, WA 98040
REGISTRATION BEGINS NOVEMBER 1st, 2025.
Registration ends after 250 pianist are enrolled. Please register early.
2026 CHOPIN NW COMPETITION:
Saturday, February 14, 2026, 9 am to 6 pm. Registration begins November 1st, 2025 and ends when 250 pianists are enrolled. No waitlist. Please register early.
Born in Seoul, Korea, Hyunsoon Whang began her piano studies at the age of four and started playing public concerts at age twelve. Since then she has delighted audiences in hundreds of concerts across the United States, Canada, Europe and Asia. Critics have praised her as "the kind of player who appears to immerse her entire being in the music," and as one who has "always delivered with grace and beauty."
As a recitalist and a collaborator, she has performed at Se-Jong Cultural Center in Seoul, Suntory Recital Hall in Tokyo and Paul Hall in Lincoln Center. She has participated in the Aspen Music Festival, Ravinia Festival Master Classes, Canada's Victoria Music Festival and the Taos School of Music. She has appeared as a soloist with Leonard Slatkin, Joel Revzen, Miriam Burns and Nicholas Harsanyi. She was personally invited by Alexis Weissenberg to perform and record his surrealistic musical Nostalgie which was met with critical acclaim in Germany and France.
Her recent engagements have included solo recitals, appearances with orchestra, chamber music concerts and master classes in California, Michigan, Minnesota, Missouri, Nebraska, New York, Ohio, Oklahoma, Utah and Reykjavik, Iceland. Her live videos from Drury University have been airing on PBS television stations throughout the Midwest. Whang serves on the Touring Artists Roster of the Oklahoma Arts Council and the Mid-America Arts Alliance's Artist Roster. In 2010 Oklahoma Governor Brad Henry presented her with the Governor's Arts in Education Award.
As an educator, she has nurtured and inspired generations of students of all ages. Her piano students have garnered top prizes at regional and national competitions and received scholarships and fellowships from prestigious institutions. She presents interactive recitals for public school children each year where she relates classical music to other subjects such as history, literature, science and environment. She has served as the faculty advisor for Cameron University's Asian Club and the President of Cameron University's Phi Kappa Phi Honor Society Chapter. She has been inducted into the Faculty Hall of Fame by the Cameron University Alumni Association.
Whang studied at the North Carolina School of the Arts, St. Louis Conservatory of Music, The Juilliard School, and earned a doctorate from Indiana University. She studied piano with Gyorgy Sebok, Michele Block, Joseph Kalichstein, Clifton Matthews, Jung-joo Oh and Soo-jung Shin, and she has studied the harpsichord with Maryse Carlin and chamber music with Michael Tree and Felix Galimir. She has been on the faculty at Cameron University since 1993 and was named the McMahon Endowed Chair in Music in 2006.
Pianist Renato Fabbro received the Doctor of Musical Arts degree from Rice University as a Bass Family Fellowship recipient. His principal teachers were Larry Graham, Angela Cheng and John Perry. Dr. Fabbro has performed at the Aspen, Sarasota, Boulder Bach, Astoria and Colorado Mozart Festivals. He has performed chamber music recitals with acclaimed violinist Frank Huang and Northwestern University clarinet professor Steven Cohen. As part of the Martingale Ensemble, he recorded music of Claude Debussy and Gustav Mahler with members of the Oregon Symphony for the MSR Classics label. He has been invited to judge many competitions, including the MTNA National Finals, Calgary Performing Arts Festival, Russian Chamber Music Foundation of Seattle, Canada West Festival, NSA International, Silver State, Performing Arts BC Provincial Festival, Musicians West, Chopin Northwest, Vancouver Kiwanis, Northern Nevada Steinway Festival, Seattle International Piano Festival, Washington Outstanding Artist, Spokane, Musicfest Northwest, Seattle Steinway, Portland Young Pianists, MTNA Northwest and Southwest Division, and Texas Music Teachers Association State Performance Competitions. He was a piano professor at the University of Portland and also served on the faculty at Marylhurst University and at the University of Texas at San Antonio Summer Music Institute. He was invited to give master classes for the Boise Tuesday Musicale, Musicfest Northwest, Bellingham Music Teachers Association, North Idaho Music Teachers Association and the Nevada School of the Arts as part of their master class series.
Dr. Fabbro won the Adeline Rosenberg Memorial First Prize in the Fort Collins Symphony National Young Artist Competition as well as first prizes in the Grand Junction Symphony National Young Artist Competition, Colorado University Honors Competition and others. He has also won prizes and awards in the Lee Piano Competition, MTNA Young Artist Piano Competition and Jefferson Symphony International Young Artists Competition. He has been a featured soloist with the Oregon Symphony, Denver Philharmonic Orchestra, Fort Collins Symphony, Grand Junction Symphony, Coeur d'Alene Symphony and Colorado University Orchestra.
He has had five MTNA national finalists, including First Prize and Third Prize winners in the Senior Piano Duo and Junior Piano Competition national finals. Other student awards include the Most Exceptional Performer prize at the Charleston International Piano Competition, two Grand Prize awards at the Nevada School of the Arts International Piano Competition, Grand Prix Gold Medal at the Pacific International Piano Competition, first prizes in the Mondavi Center National Young Artist Competition, National Federation of Music Clubs Stillman Kelley Award, Bellagrande International Music Competition, Idaho MTNA Piano Competition and multiple first prizes in the Coeur d'Alene Symphony National Young Artist Competition, Vancouver Symphony National Young Artists Competition, Steinway & Sons Piano Competition, Portland Young Pianists Competition, Washington Outstanding Artist Competition, Oregon MTNA Piano Competition (23 state winners across Junior, Senior and Young Artist divisions), Spokane Piano Competition, Central Oregon Symphony Young Artists Competition, Monday Musical Club Scholarship Competition, Wiscarson Competition, Beaverton Symphony Young Artists Competition, Eugene Symphony Young Artist Competition, Portland Youth Philharmonic Concerto Competition, American Fine Arts Festival International Concerto Competition, Oregon Sinfonietta Concerto Competition and top prizes in the New Orleans Piano Institute International Competition and New York Debut Young Musicians Competition, among others. His students have also appeared on NPR's From The Top and have been accepted into prestigious piano performance degree programs, including Oberlin Conservatory, Eastman School of Music, Indiana University, Peabody Conservatory, Cleveland Institute of Music and Rice University Shepherd School of Music.
Dr. Fabbro is the Concerto Competition director for the Bellevue Symphony and a member of the advisory panel for the Pacific Piano Competitions.
Praised by critics for her “passionate…polished and expressive” performances, pianist HyeJin Kim is one of South Korea’s most thrilling young classical stars. Born in Seoul, she began playing piano at age five, and later enrolled at the prestigious Yewon Arts School. She furthered her studies in Germany, earning her master of art in musical art as a “Konzertexamen” (highest distinction) from Berlin’s Hochschule für Musik Hanns Eisler. She recently received an artist diploma at the Colburn School in its Conservatory of Music, where she studied with Fabio Bidini.
Ms. Kim first attracted international attention at age 17 when, as its youngest participant, she won third prize in Italy’s prestigious Busoni Competition. Andrea Bonatta, the head of the jury, said ‘I am thrilled about her flawless musicality and technique, which promises success as an internationally recognized pianist.’ Since then, Ms. Kim has received numerous awards including prizes at the 2008 Hong Kong International Piano Competition, DAAD Prize, Steinway and Sons Advancement Award Competition, and Toronto International Piano Competition. She has performed and toured with numerous orchestras such as the Russian State Philharmonic, Konzerthaus Orchester, Pacific Symphony Orchestra, Praha Broadcast and Budapest Symphony Orchestras; Bohuslav Martinů, Seoul, Dae-jeon, Pilsen, and Moravian Philharmonic Orchestras; and the State Symphony Orchestra of St. Petersburg, Nürnberger Symphoniker, Nordwestdeutsche Philharmonie, and Hessischer Rundfunk Sinfonieorchester. She has worked with noted conductors including Eliahu Inbal, Carl St. Clair, Christoph Poppen, Achim Fiedler, Yehuda Gilad, Tomáš Hanus, Shi-yeon Sung, Dae Jin Kim, Jiri Malat, and Andrés Orozco-Estrada.
Ms. Kim has been invited to participate in international venues and music festivals including the Konzerthaus of Berlin, Herkulessaal of Munich, Rudolfinum/Dvorak Hall and Smetana Hall of Prague, Seoul Arts Center, Marvão Music Festival, Napa Valley Festival, Klavier Festival Ruhr, Korea Symphony Festival, Cesky Krumlov Festival, Praha Spring Festival, and Kotor Arts Festival, among others. Ms. Kim has participated in master classes with artists such as Jean-Yves Thibaudet, Yoheved Kaplinsky, Jerome Rose, Robert McDonald, Aquiles Delle Vigne, Bernd Geotzke, John O’Connor, Arnold Steinhardt, Clive Greensmith, Martin Beaver, Robert Lipsett, and the Opus One Quartet.
Ms. Kim made her major label debut in 2013 with her recording of Rachmaninoff’s Piano Concertos Nos. 1 and 2, with the Armenian Philharmonic Orchestra led by Eduard Topchjan, on Sony Classical. In 2016, Ms. Kim made her Carnegie Hall recital debut performing music of Scarlatti, Brahms, Rachmaninoff, Barber, and Gershwin. She made her west coast debut with George Gershwin’s Rhapsody in Blue with MUSE/IQUE. Last season, she appeared on the live broadcast program What Makes It Great? hosted by Robert Kapilow on National Public Radio, chamber concerts with the Salastina Music Society including the west coast premiere of Fanny Mendelssohn’s Easter Sonata and a U.K. tour of Rachmaninoff’s Second Piano Concerto with the Russian State Philharmonic under the baton of Valery Polyansky.
In fall 2018, Ms. Kim began teaching at the Community School and pre-college Music Academy divisions of the Colburn School.
Dr. Yu-Jane Yang is a Brady Presidential Distinguished Professor, Endowed Scholar/Artist of the College of Arts & Humanities, and the director of Keyboard Studies at Weber State University. Yang is the national recipient of the most prestigious Music Teachers National Association (MTNA) Teacher of the Year award in 2020. Furthermore, her many professional accolades include, the Steinway Top Teacher Award in 2022, the Steinway Teacher Hall of Fame in 2021, the Outstanding Service Award given by the National Conference in Keyboard Pedagogy in 2019, MTNA Foundation Fellow in 2011 and the Utah Music Teachers Association (UMTA) Legacy Award in 2010.
In great demand as a presenter, performer and master class teacher, Yang is the pianist of the Wasatch Piano Trio, the Weber State University Faculty Piano Trio and the Formosan Violin-Piano Duo and she has given numerous piano workshops, master classes and concert performances in Austria, Poland, Norway, Spain, Italy, Germany, Singapore, China, Taiwan, the Philippines, Canada and the United States. Most recently, Yang was the featured MTNA National Conference masterclass teacher for the Intermediate Piano Master Class at the 2022 MTNA Virtual National Conference. Yang also appears frequently as an adjudicator for piano competitions nationally and internationally, including judging the MTNA Competition National Finals and the Gina Bachauer International Piano Competition preliminary auditions.
Yang’s piano students have been top prizewinners in both collegiate and pre-college divisions in numerous state, national and international piano competitions, including the national first place winner of the 2010 MTNA Steinway Young Artist Piano Competition and the 2020 Gilmore Young Artist Award national winner. Yang’s students at Weber State University have also received piano scholarships for graduate studies from world-renowned music schools such as the Juilliard School, Eastman School of Music, the University of Michigan, the University of Oklahoma and the Cleveland Institute of Music upon graduation. Yang’s pedagogy students at Weber State have also won state and national recognitions for their outstanding teaching, including seven state winners of the UMTA Collegiate Student Teacher of the Year, one national winner of the MTNA Studio Teaching Fellowship and four-time national winners of the MTNA Collegiate Chapter of the Year.
The Northwest Council of the Chopin Foundation of the United States, an all-volunteer, 501(c)(3) non-profit arts organization will continue the tradition of encouraging talented young American pianists to study and perform classical music, especially highlighting the music of Chopin. We will primarily focus on the Seattle competition and furthering young local talent. The NW Chopin Foundation holds a yearly competition featuring the finest youth talent in Washington state. Each succeeding year, the Festival has grown to becoming one of the region's largest and well-known piano competitions. The very first meeting of The Northwest Chapter of the Chopin Foundation was held September 20, 2001 at the Women's University Club in Seattle, Washington. President Dr. Steven Lagerberg opened a meeting with eight other Chopin enthusiasts in attendance. Steven presented his vision for the Chopin Foundation which was, very simply, to showcase Chopin and his beautiful music.
CHOPIN FOUNDATION OF THE UNITED STATES, NORTHWEST COUNCIL
Dr. Hanna Cyba, President
Dr. Nino Merabishvili, Vice-President
Dr. Yelena Balabanova, Treasurer, Co-Artistic Director
Cathy Carpenter, Secretary, Board Member
Dr. Adam Aleksander, Immediate Past President, Board Member
Allan Park, Past President, Board Member, Registrar
Judy Baker, Founder, Board Member, Artistic Co-Director
Yunbo Cassady, Board Member
Conney Vernall, Board Member
Dr. Vladimir Balabanov, Board Member
Risa Jun, Board Member
Christopher Moorhead, Webmaster
Dr. Steven Lagerberg, Founder
Alison Bell, Past President
Helen Belvin, Honorary Past President
CHOPIN'S MAZURKAS
Frédéric Chopin enjoyed composing mazurkas throughout his life, writing his first at the age of fifteen and completing his last only days before his death in 1849. Dance miniatures, they comprise the largest collection of all of Chopin’s varied works, totaling at least fifty-nine, forty-one of them published during his lifetime. With them, Chopin created the most unequalled repertoire of a country’s authentic folk music ever attempted, an unforgettable set of small-scale pianistic masterpieces. An expatriate for half of his life, he kept the flame of Poland alive in himself by writing music that echoed his country’s nationalistic soul. Reflecting his own mixed feelings after leaving Poland for Paris, these mazurkas, from joyful to melancholic, exhibit a strikingly wide emotional spectrum.
Chopin’s mazurkas were his most privately cherished pieces, very personal and innovative musical utterances, essentially displaying a lyrical memoire of his life. A reserved man, he rarely performed them in public, preferring to play them only at private Parisian soirees for intimate gatherings surrounded by his adoring friends. His mazurkas are expressive jewels of inexhaustible melodic invention. Their varied harmonies, filled with flowing melodies and unusual tonalities, must have evoked in him tender memories of his Polish childhood. Nowadays, the mazurkas are among Chopin’s most beloved and frequently performed piano compositions.
Although it is possible to find similarities between his mazurkas and authentic Polish folk tunes, Chopin never explicitly quoted from any of them. Instead, he created a kaleidoscopic synthesis of the many elements of their unusual harmonic, rhythmic and expressive nuances. The composer drew his inspiration for his mazurkas from three Polish folk dances, the mazur, the kujawiak and the oberek, stylistic forms he knew well from his many childhood travels to the Polish countryside. All three of these forms are written in triple time and have a characteristic rhythm and temperament. Although Chopin’s mazurkas are written in a dance form, they are undanceable, being works to be appreciated esthetically for their unique style and individuality.
Non-Polish pianists have often avoided playing these mazurkas, their tricky rhythms, stretched chromaticism and irregular accents being difficult to grasp for those unfamiliar with Polish folk music. Similarly, they have rarely been performed at the annual Chopin Northwest Festivals. Now, in order to draw more attention to these unusual pieces, the 2026 Chopin Festival has established a separate prizewinning Mazurka Division. It is hoped that a growing familiarity with these diminutive compositions will encourage a better understanding of this singular musical genre and with it a greater admiration for Chopin’s extraordinary musical genius.
ARCHIVES:
The Origins of Chopin’s Melancholy
Sophisticated Restraint
The Scent of the Lily
The Piano Capitol of the World
Chopin in the Time of Cholera and COVID
Recognition
What Motivated Chopin
An Educated Guess
A Personal Challenge
Emotional Music
The Long Suffering
Of Hands and Heart
Why Do We Have a Chopin Festival
A Fateful Journey
Chopin's Pianos
What's Not to Like About Chopin's Music
To Compete or Not Compete
Dr. Steven Lagerberg is retired as a practicing physician from Kaiser Permanente and is the founder of the NW Council of the Chopin Foundation. Steven is the author of: Chopin's Heart: The Quest to Identify the Mysterious Illness of the World's Most Beloved Composer and Essays on Chopin.
Copyright 2020-21. Steven Lagerberg. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher.
Support The Chopin Foundation of the United States
The Northwest Council of the Chopin Foundation of the United States, an all-volunteer, 501(c)(3) non-profit arts organization, will continue the tradition of encouraging talented young American pianists to study and perform classical music, especially highlighting the music of Chopin. Your donation is tax deductible and we would like to express our sincerest appreciation for your donation. Your generous donations, of any amount, are deeply appreciated and go a long way in supporting Chopin NW. Your generous donation to Chopin NW supports the arts, music, and local organizations that make a lasting impact on our community. We deeply appreciate your contribution. To receive a tax deduction notice and a heartfelt thank-you email, please contact Dr. Hanna Cyba, President of Chopin NW, at hannacyba@hotmail.com to notify us of your donation. Thank you
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